Education is the Practice of Freedom essays

Education is the Practice of Freedom essays Education is the Practice of Freedom When youre fifty-eight and seeking to obtain your first Masters Degree, the reality of bell hooks statement that education is the practice of freedom is easy to embrace. While there is no true comparison between the plight of a white woman who has the responsibilities of being a single parent, and the black woman who is denied the right of passage to the halls of academia, the results are strikingly the same in that there is an innate hunger for knowledge.........a quest to realize education as the practice of freedom! To avoid minimizing the critical message regarding the African-Americans struggle for the freedom, I will explore the issues, culture and experiences, which influenced the attitudes of bell hooks. In doing so, I hope to arouse the same passion in you that I have developed while researching the Harlem Renaissance through Postmodern years; that is, a passion to give back to Black Americans their spot in the text with those who had an impact on the history of America . From the end of World War I through the middle of the 1930s Depression, the period which became know as the Harlem Renaissance, there was a tremendous body of literature produced in the form of poetry, fiction, drama, and essay. The significance of that fact is well hidden from our public school curriculum; the significance being that those magnificent contributions were made by African-Americans. Names like Claude McKay in his Spring in New Hampshire; W.E.B.Du Bois (founder of the NAACP) writes his Darkwater and The Gift of Black Folk; Jessie Fauset writes There is Confusion; Countee Cullen won the first prize in the Witter Bynner Poetry Competition; and others like Langston Hughes, Zora Neale Hurston, Alain Locke with multiple contributions as well. In the world of stage comes Josephine Baker i...

How Many Words in a Novel Word Counts Per Genre [Examples]

How Many Words in a Novel Word Counts Per Genre [Examples] How Many Words in a Novel? Exact Word Count Guide Per Genre [With Examples] How many words are in a novel? After allWriting too many words in your novel is just as embarrassing as not writing enough.A books word count does matter and if you get it wrong, this can impact your book sales, reviews, and its overall performance.But thats why were here.To not only help you understand how many words are in a novel, but how many should be in your specific book depending on what youre writing.Because yes, different types of books require different book lengths.Not only do you need to know how many words are in a novel, but also why and how the genre youre writing it can change this word count.This is how many words are in a novel:How many words in a memoir 45,000 to 80,000How many words in a self-help book 30,000 70,000How many words in a fantasy novel 50,000 150,000How many words in a sci-fi novel 50,000 150,000How many words in a romance novel 50,000 90,000How many words in a mystery novel 40,000 80,000How many words in a horror novel 40,000 80,000How many words in a dystopian novel 60,000 -120,000How many words in a contemporary novel 60,000 90,000How many words in a young adult book 60,000 90,000How many words in a middle-grade book 20,000 55,000NOTE: We cover everything in this blog post and much more about the writing, marketing, and publishing process in our VIP Self-Publishing Program. Learn more about it hereHow many pages is 1000 words?1000 words single-spaced is about 1 page in Microsoft Word, Google Docs, or equivalent software. 1000 words in a book is about 3 pages.One thing to keep in mind with how many pages is 1000 words is that it depends on the text, its size, and the spacing youre using.For example, if you write 1000 words on a page in Google Docs, but maintain double spacing, that would be about two pages. However, if your text is smaller than 12 and you use a different spacing variation, it may only be one to one and a half pages.Heres how you can make 1000 words be more than two pages:Increase the font size by .5 or 1 pointIncrease the line spacingChange the size of all the punctuation to be largerHow many words per page in a book?Ultimately, you can expect there to be roughly 300 words per page in a book you write as a whole. Because dialogue requires paragraph breaks, there will be fewer words than if you have a few pages of full paragraphs instead of dialogue.On average, there are about 300 words per page in a book. This number can vary depending on if youre writing dialogue or how short each paragraph is. How to Find How Many Words are in Your Novel So FarKnowing where to look to locate your word count will help you determine how long your book is actually going to be once its finished and you publish it (which youll learn to do in the next step).Finding your books word count depends on which writing software youre using to write it.Heres how to find your books word count for a number of writing softwares:Microsoft Word: The word count for your book in Microsoft Word will be l ocated in the bottom left corner next to the page number.Google Docs: To find the word count in Google Docs using a mac, you can hit Command Shift C (Control Shift C on Windows) and a box will pop up. You can also go to Tools Word CountScrivener: If youre using this writing tool, just go to Scrivener Preferences Editing and then select live counts to show the word count box and character on the bottom bar.Pages: To view word count in Pages on a mac, go to the toolbar and click View Show Word Count.Open Office: If youre using open office, the word count is visible in the bottom left corner.Book Length CalculatorThe best way to find out how many pages will be in your book is to use this calculation method:Take your current word count and divide it by 300. This will give you the approximate number of pages that will be in your book.Heres the book length calculator formula again:Current word count à · 300 = estimated pages in your bookFor example, if you write a book thats 80,0 00 words long, you would fill in that formula like this:80,000 à ·Ã‚   300 = 266.7 pagesKeep in mind that this is not a perfect way to calculate the number of pages your book will be. However, this rough estimation can help you understand the approximate length of your book.How many words in a novel?How many words in a novel vary depending on genre, audience, and the story itself. Generally speaking, the average novel word count is between 60,000 and 90,000 words.The amount of words in your novel does matter. Depending on your genre, having too many or too little can not only hurt your book sales, but also cause fewer 5-star reviews (which also hurts your sales).This is how many words to have in a novel for each genre.#1 How many words in a memoir?On average, when writing a memoir should not exceed 90,000 words and that is a stretch when it comes to memoir word count.We recommend memoirs be between 45,000 to 80,000 words in order to maintain intrigue and reduce intimidation. This means your memoir will average between 150 and 265 pages.When readers see that a memoir exceeds 300 pages, it sets up a red flag in their mind. Even if theyre interested in the memoir, a very lengthy memoir is often indicative of something reminiscent of an autobiography (which is basically a timeline of life events) versus a personal life telling with a theme or message.Exceptions for memoir word count:Youre famous or well-known. Anyone who already has an audience can get away with a longer memoir simply because people have already shown interest in your life. Theyre more likely to want more rather than less.Your memoir contains multiple lessons or messages. If your memoir is in several parts or you have a few messages to get across, you can write a longer memoir. Keep in mind, however, that it may be more beneficial to write two memoirs instead of one massive one.Its your first draft word count only. Its okay if your first draft is over 90,000 words. Oftentimes, professional editi ng will cut down the unnecessary information so your memoir is the appropriate word count.Average book length for a memoir: 45,000 80,000#2 How many words in a self-help book?Any self-help or motivational nonfiction book should be between 30,000 and 70,000 wordsThis means your book will be between 100 and 230 pages in total.Those looking for help through a book in this genre dont want a massive novel to go through just to read what they need. For that reason, if you have a motivational or self-help book idea, keep it at a lower word count will actually help you more.For example, our own Student Success Strategist, Lisa Zelenak, wrote this book called Find Your Thing. Its a self-help book detailing how to escape monotony in your early 20s and do work that actually matters.Find Your Thing is about 30,000 words and, with formatting, 178 pages long.The reason this book does well is because it is not a super lengthly novel. With a self-help book, your audience wants to learn something and they want to learn it sooner rather than later.Average self-help book length: 30,000 70,000 words#3 How many words in a fantasy novel?The average fantasy novel should have between 50,000 and 150,000 words. However, the true word count depends on the category in which youre writing.If youre writing a young adult fantasy novel, you should keep your word count below 90,000 words or 300 book pages.This is due to the audience youre reaching preferring that length.If youre writing an adult fantasy novel or an epic fantasy novel (like Game of Thrones), your word count can skew higher at 90,000 200,000 words.Not all fantasy novels are epic fantasy novels. Epic fantasy is a sub-genre beneath fantasy and encompasses very long journey-specific plots. Authors who write in this style are George R.R. Martin, Brandon Sanderson, and the late J.R.R. Tolkien.Average book length for fantasy novels: 50,000 150,000 wordsNOTE: We cover everything in this blog post and much more about the writing, marketing, and publishing process in our VIP Fiction Self-Publishing Program. Learn more about it here#4 How many words in a science fiction book?Science fiction books typically have between 50,000 and 150,000 words, like fantasy novels. This puts them at between 170 500 pages.This specific genre has a lot of flexibility with word and page count due to the variety of plot types and story arcs.Here are some popular sci-fi novels and their word counts:Hitchhikers Guide to the Galaxy by Douglas Adams 50,895 wordsEnders Game by Orson Scott Card 100,609 words Fahrenheit 451 by Ray Bradbury 46,118 wordsI, Robot by Isaac Asimov – 69,000 wordsThe Stand by Stephen King 500,000 wordsThe Martian by Andy Weir 104,588 wordsAs you can see, word count for science fiction books vary widely. However, we do not suggest writing a novel of 500,000 words unless you as established as Stephen King is.Average science fiction book length: 50,000 150,000 words#5 How many words in a romance n ovel?Romance novels often run between 50,000 and 90,000 words on average.Romance is a unique genre because the plot is all about two characters and their adventure with one another. For that reason, writing a long, lengthy book just about their romance can become a problem for the readers.This is why romance books tend to be below 90,000 words.The more you write, the more you run the risk of losing your readers attention and motivation to keep reading.A popular romance novel thats a great example of keeping your story shorter rather than longer is The Notebook by Nicholas Sparks.This book only has 52,000 words and has become one of the most recognizable romances of our time.Average romance book length: 50,000 90,000 words#6 How many words in a mystery novel?Mystery novels do best if theyre written between 40,000 and 80,000 words.Writing more than 80,000 words can become difficult, as you have to ensure your readers dont know the answer behind the mystery.As with anything, the more you say, the easier it is to decipher the clues underneath, which is what you dont want when it comes to a mystery novel.For example, Agatha Christie, one of the bestselling mystery writers of all time, write between 40,000 and 60,000 words per book.Average mystery book length: 40,000 80,000 words#7 How many words in a horror novel?Horror is much like mystery in the sense that you dont want to drag these novels on too long. Therefore, we advise writers to stick between 40,000 to 80,000 words for horror novels.As an example, The Turn of the Screw by Henry James is 42,211 words long.Average horror book length: 40,000 80,000 wordsDo you have what it takes to become a published author?Take this quick quiz to find out!Take the Quiz Now#8 How many words in a dystopian novel?Typical dystopian novels run between 60,000 and 120,000 words, though this genre has the flexibility to be longer.Because dystopian is often a sub-genre, meaning it usually has a broader genre within it like fanta sy or sci-fi, theres room to expand and grow these types of novels.Here are some popular dystopian novel word counts: The Handmaids Tale by Margaret Atwood 90,240Red Rising by Pierce Brown 124,749 wordsThe City of Ember by Jeanne DuPrau 59,937As you can see, this genres word count bounces all over the place. Just keep your intended audience in mind (young adult, middle-grade), in order to know how many worse to write.Average dytopian book length: 60,000 120,000 words#9 How many words in a contemporary book?In a typical contemporary book, you will have between 60,000 and 90,000 words.One popular example of a contemporary novel is Simon vs. the Homo Sapiens Agenda by Becky Albertalli, which stands at 60,965 words in total.Contemporary novels typically dont exceed 90,000 words particularly because theyre focused around modern problems versus anything other wordly. This means if you write too long of a book, you run the risk of losing your readers attention.Average contemporary boo k length: 60,000 90,000 words#10 How many words in a young adult novel?Young adult books range between 60,000 and 90,000 words. Unless youre writing a young adult epic fantasy, which can go up to 150,000 words.Young adult is a category more than a genre, but its important to keep this in mind when writing a book in any genre.Your audience matters because different age ranges prefer different lengths of books. An older audience, like new adult or adult, is far more likely to consumer a book thats over 100,000 words, whereas a younger audience like young adult only has the attention span for less than 90,000 words.#11 How many words in a middle-grade book?Middle-grade books are best if kept between 20,000 and 55,000 words in order to maintain the attention of readers this age.Anything longer can be difficult for a younger audience to consume and retain all of the information. Therefore, cap your first draft off at 65,000 words with the intent to cut out what you dont need when you ship it off to your editor.Keep in mind that these word counts are guidelines. One thing we teach here at Self-Publishing School is that you must first know the rules before you can confidently break them.Ready to start your book now?Now that you know how many words your book should be, its time to actually start writing those words!But first, make sure you know what you need to about how to write a book so you dont make the mistakes so many before you have

Market Research Methodology Essay Example | Topics and Well Written Essays - 2000 words

Market Research Methodology - Essay Example 'Typically focus groups are used as a means of testing concepts new products and messages. A focus group is qualitative research which means that you do not obtain results with percentages, statistical testing or tables .instead this methodology is less structured than surveys or other quantitative research and tends to be more exploratory as well. Rather than providing quantifiable responses to a specific question obtained from a large sampling of the population, focus group participants provide a flow of input and interaction related to the topic or group of topics that the group is centered around. While they appear to be less formal than a survey, focus groups do provide an important source of information for making business decisions. It is important how ever to ensure that persons using the results of such a qualitative study understand how to correctly interpret the resulting information'. 1 The composition of a focus group is usually based on the homogeneity or similarity of the group members. Bringing people with common interests or experiences together makes it easier for them to carry on a productive discussion. Often a research project will use different groups to get differing views. For example, an organization is planning a major restructuring. It would be desirable to have three separate focus groups - union members, nonunion employees, and managers. Each of these groups would represent a potentially different perspective on the changes facing the organization. Imagine the potential problems in bringing together union members and management. Neither would feel free to speak spontaneously and, depending on the anxiety level, the discussion might possibly spiral out of control. Demographic characteristics are another way to determine focus group composition: A political candidate might consider holding separate focus groups with both men and women or younger and older voters. A company testing a new product might conduct focus groups in different geographical regions. Organizational decision makers might find it useful to have separate focus groups for those who favor and those who oppose a particular issue. One caution-remember that with a focus group, it is not possible to compare the results from different groups in a strict quantitative sense, because they lack representative ness. Each group may be characterized as augmenting the information of the others - in an effort to look for as many different explanations or interpretations as

Georgia Recreation and Park Association Essay Example | Topics and Well Written Essays - 500 words

Georgia Recreation and Park Association - Essay Example These members are drawn from public enterprises, private businesses, academia, etc. Not only do they strive to provide recreation opportunities but also participate in fundraising and technical assistance activities.Bill McNair is the President of GRPA. The Presidentship is shared by Danny Jones and James Dodson. Other prominent members of the top brass include Michael Coleman, Jimmy Gisi, and Steve Card. They are supported by a group of trustees and District Commissioners, who in turn administer other local representatives.The members and Board of Trustees make a combined effort to fulfill GRPA's fundamental purpose, which is "promoting healthy lifestyles through the utilization of park facilities and recreation services for the well being of each citizen individually and the community as a whole, ensuring that park and recreation services are available, and providing organized, supervised activity as a means of prevention for a number of circumstances (disease, stress, etc.) includ ing the prevention of juvenile delinquency." Another function of GRPA is to lobby in Congress to pass new legislation that recognizes the therapeutic value of recreation.   The lobby also interacts with policymakers to allow substantial budgets to support recreation programs and services.   They also work with other non-profits within the state to "continue and/or initiate recreation programs and functions with health and wellness objectives and positive outcomes".   The GRPA also coordinates with the National Recreation and Park Association and lends a helping hand by sponsoring "special events which demonstrate or reinforce recreation, health and wellness relationships."

Social Class in America Essay Example for Free

Social Class in America Essay Over the course of two hours, the documentary reveals that despite our countrys deeply-held ideals of egalitarianism and fairness, our citizens are in fact subject to sharp class distinctions and often insurmountable inequalities of opportunity. For viewers and students interested in the sociology and culture of the United States, People Like Us provides an entertaining introduction to a controversial topic. It does not offer a Marxian analysis of one groups exploitation of another, nor does it celebrate the virtues of the capitalist system. Rather, this popular history presents an outspoken group of Americans from diverse locales and even more diverse socioeconomic groups: privileged New York WASPS, upwardly mobile African Americans in North Carolina, struggling minimum-wage workers in Ohio, proud Georgia rednecks, blue-collar suburbanites in New Jersey, cliquey Texas highschool students, and more. Through their portraits, People Like Us raises questions about the ways, large and small, in which Americans classify each other, how our inherited social class affects our self-perceptions and our expectations, and how race and other factors complicate an already complex arrangement of social distinctions in our society. Producers Andrew Kolker and Louis Alvarez, who have collaborated on a series of award-winning documentaries on different aspects of American culture since 1979, found People Like Us to be an extremely challenging program to make. Crisscrossing the country to interview hundreds of Americans, they discovered that many of us take our class status for granted, while many others refuse to admit that class differences exist. In making this program, Alvarez and Kolker hope to challenge viewers to rethink their assumptions about class in America and to examine how those assumptions influence their attitudes about their fellow citizens. People Like Us premiered on the Public Broadcasting System and is intended for a general audience. It is also extremely useful for educators who wish to introduce students to basic concepts about social class and bout class distinctions in the United States. People Like Us does not pretend to be the definitive documentary about class in America. But it does aim to be a catalyst for discussion and deeper study about the many different issues of class that affect our country economically, socially, and psychologically. This guide is intended to facilitate that goal. Our suggestions for discussion questions, lesson plans, group projects, theme-based activities, readings, and writing assignments are designed to help viewers explore, in the context of their own experiences and communities, the many thorny issues raised by People Like Us. II. Program Outline People Like Us: Social Class in America is 124 minutes (2:04) in length. While its always best to screen the program in its entirety, it can also be viewed in two separate, hour-long sittings: 1) Parts I and II and 2) Parts III and IV. If class time is limited, you can also show specific short segments to the class. In that case, we recommend that you pre-screen the entire show so that you understand where each segment fits into the whole. Is there a difference between class, status, and lifestyle? 2. Reconsider the question of whether the United States is a classless, egalitarian society. Elicit viewers’ impressions of the range of Americans they saw in the program. Who are the most memorable? Why? What characteristics mark each person as belonging to one social class or another? What were some of their opinions about the class structure of the United States? Were there any statements students strongly agreed/disagreed with? Broaden the discussion: Why do many Americans deny that class distinctions exist in their country? Why do many consider class to be a touchy subject? Why do classes exist anyway? What are the effects of class stratification on Americans? Does growing up in a particular class affect our self-image and our expectations in life? If so, how? 3. Tabulate results of the mini-survey and discuss findings. Ask students to define their terms and explain why they picked a particular social class. (NOTE: since some people may feel uncomfortable about answering this question, participation in this discussion can be voluntary. ) Did they select a particular class because of their parents’ income? Their own lifestyle? Education? Aspirations? Family history? Moral values or religious affiliation? Did they change their minds about their own social rank after seeing People Like Us? If so, how and why? Divide the class into groups. Ask each group to discuss the class structure of their community. Are neighborhoods mixed or segregated by class? Which classes live in which areas and go to which schools? Which groups tend to shop at which stores, worship at which religious centers, belong to which clubs? Does any one group hold the power in local government? Are there any venues where various classes intermingle? Are there any class-based issues the community is currently confronting for example, in housing, job development, or education? 4. Assign a review. Based on their notes, ask students to write a critique, favorable or unfavorable, of People Like Us. What are the programs most important ideas about class in America? Writers should include specific examples of scenes or remarks that were most/least effective in presenting these ideas. Did viewers feel that any one of the classes portrayed was favored over the other? In an introductory essay to his play, Major Barbara, George Bernard Shaw wrote: What a man is depends on his character; but what he does, and what we think of what he does, depends on his circumstances. The characteristics that ruin a man in one class made him eminent in another. Ask students to write their interpretation of this quote. What does Shaw mean? Cite an example of behavior that is considered a virtue in one class and a vice in another. For example, compare the idea of an aggressive real estate developer with an aggressive sanitation worker. Both are in business, but their qualities may be judged differently. Don’t Get Above Your Raisin’ (Washington, DC ; Morgantown, Kentucky) Begins: 01:21. 02 Running Time: 12_ minutes Getting above your raisin is a phrase you hear all the time†¦.. The notion is that you want to change social classes†¦ You try to change social classes, theres this feeling that youre forsaking the family, youre forsaking place, youre forgetting where you came from†¦and heres this real fear that if you leave, that youll become ashamed of where you came from. Dana Felty, an ambitious young woman from a working-class background in rural Kentucky, is pursuing a career as a journalist in Washington, D. C. Despite her success, Felty feels guilty about leaving her class and culture behind. As an Appalachian, shes been taught that moving up the ladder is not as important as allegiance to the community. I think that at the core of a lot of my family, it really felt like I was telling them that I was rejecting them and I was rejecting my home, and everything that had been just the essence of who we were, she says tearfully.

Mother and Daughter Relationships in Joy Luck Club and A Hundred Secret

Mother and Daughter Relationships in The Joy Luck Club and A Hundred Secret Senses   Ã‚  Ã‚   In life, many things can be taken for granted - especially the things that mean the most to you. You just might not realize it until you've lost it all. As I walk down the road finishing up my teenage days, I slowly have been finding a better understanding of my mother. The kind of bond that mothers and daughters have is beyond hard to describe. It's probably the biggest rollercoaster ride of emotions that I'll ever have the chance to live through in my lifetime. But, for those of us who are lucky enough to survive the ride in one piece, it's an amazing learning experience that will influence your entire future.   Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚     Ã‚  Ã‚   In Amy Tan's novels, The Joy Luck Club, and A Hundred Secret Senses, she describes relationships between mothers and daughters reflecting on her own parents experiences in life.   Ã‚  Ã‚  Ã‚     Ã‚  Ã‚   Four mothers, four daughters, four families... whose histories shift with the four winds depending on who's "telling" the stories. In 1949, four Chinese women, recent   immigrants to San Francisco, begin meeting to talk, eat dim sum, and play mahjong.. As June's mother said, "Idea was to have a gathering of   four women, one for each corner of the mahjong table" (Joy p.32) Being together in shared unspeakable loss and hope, they call themselves the Joy   Luck Club. Instead of sinking into tragedy, they choose to gather and raise their spirits. "To despair was to wish back for something already lost. Or to prolong what was already unbearable." (Joy p.134) In other words, why sit back and keep pondering the tragedy, it's better to let the past go, and move on.   Ã‚  Ã‚     Ã‚  Ã‚   In The Joy Luck Club, Tan examines the sometimes painful, often t... ...ring a closer relationship to their families.    Works Cited and Consulted "Biography of Amy Tan." DIScovering Authors Modules. 1998. GaleNet. "Criticism, Amy Tan" DIScovering Authors, Gale Research Inc, 1996. Buck, Claire. "Amy Tan." The Bloomsbury Guide to Womens Literature. Pg1065 Great Britian: Bloomsbury Publishing, 1992. Shear, Walter. "Generational Differences and the Diaspora in The Joy Luck Club." in <>Critique. Volume 34, No3, Spring 1993 pp 193-99.(on GaleNet Tan Amy. The Hundred Secret Senses, New York; Mass Market Paperback, 1996 Tan, Amy. The Joy Luck Club. New York; Mass Market Paperback, 1994 Willard, Nancy. "Tiger Spirits." in The Women's Review of Books. Vol.6, Nos. 10-11, July 1989, pg12.(on GaleNet) *Amy Tan interview was conducted on the front cover of the hard cover copy addition of The Joy Luck Club.   

Hip-Hop and R&B Essay

It is safe to say that expressing oneself is exerted differently amongst individuals and forms, and in many cases an art is created. The list of different art forms, artists, art-type etc. extends, and a popular art form on this list includes music. Music is a category in relation to art, but also contains many categories within itself. It is a broad subject that connects from: Country, Pop, Gospel, Opera, Hip-Hop, Rap, Tech, R&B etc. I am an individual who sees the beauty and greatness in all music, but happens to be passionate about two particular genres previously listed. R&B and Hip-Hop are two genres of music that are capable of dissection into small details, separating their differences and similarities. When I listen to and/or observe these two genres, I tend to notice certain contrasts and comparisons. The two music genres, Hip-Hop and R&B, share many similarities and differences especially involving the formatting, lyricism, and tone and/or melodies. Hip-Hop and R&B songs are both constructed with different instrumentals, but sometimes vary in style. R&B songs tend to portray more of a relaxed, sensual feel, whereas Hip-Hop songs are more for dancing actively. Two of my favorite R&B and Hip-Hop songs at the moment, â€Å"Paint This House† and â€Å"Senile†, exemplify this. In these songs, like many others, certain keys are used promoting a base sound. Base appears often in Hip-Hip songs, and is usually recognized by its distinct sound in relation to a â€Å"boom† noise. Parties and clubs show how this sound incorporated with music affects people. Along with the crowd, the Hip-Hop songs’ instrumentals, inclusive of a base, makes people want to dance; as also, the case with me. The instrumental also plays a role in the vocalization of a song, leading to an artist’s approach to the song. When I hear certain R&B beats, I automatically think of how I would sing on it and lyrics. The simple formation of the instrumental affects my mindset and mood, leading to sadness, anger, or happiness etc. related lyricism. The occurrence of these emotions in songs could also display its genre. Various artists belonging to these groups outline their songs based on their  genre. The artist’s genre affects the song’s lyricism with the two genres’ different purposes. There have been countless times that I have altered the way I sing or rap a song, because of its genre amplifying or altering my mood. A television show I watched one time, broadcasted an interview with the R&B artist Brandy; an interview in which Brandy exemplified how the instrumental she received, moved her and in a sense, her voice. Most Hip-Hop artists’ songs differ in lyricism from R&B songs, to appeal to different audiences. Some people only enjoy certain types of music, leaving the void filled by artists that make such songs. Certain vocalization could also prove to attract people, like high-pitched vocals on songs. With the exception of a rapper on an R&B song, singers display more vocal-play on songs. With the melodies singers create, R&B songs differ from Hip-Hop songs; though Hip-Hop artists sometimes create melodies without always singing. Pop and rap songs played on the radio today provide examples of a method of singing, without having to actually sing much; this method is known as Auto-tune, which makes a computerized noise. A singer can also create a Hip-Hop song, though Hip-Hop songs are usually rap-oriented. Different R&B artists have experimented with rap in their music, reciting rap-influenced lyrics with a melody. Various cases even show how singers use Hip-Hop instrumentals at times, but sing personal, self-written, or unrelated lyrics. I have covered songs with friends in which I sang and was at an advantage on certain vocal parts, seeing as how I naturally sing. This ability allows me to alter songs in a different way, including Hip-Hop songs. ​Music is one factor possessing the ability of creation through countless amount of ways. A slight noise could trigger my instinct to create a melodic beat from it, and sing random lyrics. This effect is not only the case with me, but many musical geniuses existing today or previously. Music serves as a stress-reliever, escape etc. so it ultimately affects the production of a song. It is these changes in the formation, that leads to noticeable similarities and differences of a song. The music genres, Hip-Hop and R&B, play a major role in society differentiating whilst also relating; this, in terms of different factors shaping the production of a song. To make a song,  many aspects could be assessed connecting from choice of words, beat etc. These particular aspects are the main ones I pay attention to when listening to music, providing a platform in which to compare and/or contrast in many ways.

Cathy Come Home Text Analysis

Cathy Come Home English text analysis †¢ What was the purpose of the text and who was the target audience? The purpose of the text is to inform the reader about what the film is about. It uses words like ‘documentary’, ‘social issues drama’, ‘docudrama’. In the first line of the text it impresses upon the readers the importance this film played in changing the social-economic viewpoint of the viewers. â€Å"First broadcast by the BBC in 1966, it was a pivotal in the launch of the housing charity Shelter, and instrumental in changing the law regarding homelessness. The target audience for the text would be adults, with a certain level of education and social/ political awareness possibly someone of middle class background as Jon Fortgang uses mostly sophisticated language such as polemical and inexorable. The sentence structure is quite long and complex as well. †¢ Comment on the writer’s style and language technique. The langua ge used by Jon Fortgang is mostly formal and the sentence structure and paragraphs are quite long and sophisticated. There are some parts of the text that is informal such as â€Å"rough and ready documentary†, â€Å"With baby on the way, money is tight. This is done so as to relate to his readers. The first two sentences and the last three sentences of the review are emboldened to emphasis importance of the text, he also uses positive adjectives such as powerful and pivotal. He also lets his readers know that the film is â€Å"One of the most important British works ever, and is then reinforced again in the second to last paragraph of review and relates and how the issues covered in the film can be related to what is happening today. List at least 3 facts given in the review. – First broadcast in 1966, it was pivotal in the launch of the housing charity Shelter and instrumental in changing the law regarding homelessness. – Directed by Loach before he made the transition from TV to cinema. – It is written by Jeremy Sanford and is acted by Carol White and Ray Brooks. †¢ Identify at least 3 opinions given and comment on the language used. – â€Å"A milestone in British film making and still one of Loach’s most direct and watchable works. Issues and characters are carefully balanced, Sandford’s writing is credible and intelligent and the intervening decades has done nothing to lessen the films impact. † – â€Å"If a film is measured by its impact on the real world then ‘Cathy Come Home’ surely ranks as the among the most important British works ever. † – â€Å"Seen by a quarter of all Britons at the time of its broadcast, this is a powerful but also easily digestible social issues drama and perhaps the saddest aspect of the film is its clear and continued relevance. † The language used in these opinions are all positive adjectives impressing upon the reader just how powerful and influential this film was at the time of its screening. Although some of it cannot be proven fact such as â€Å"Seen by a quarter of all Britons at the time of its broadcast. † This would be impossible for him to know about unless he had actual statistics that told him the viewing figures for that time. Summarisation of ‘Cathy Come Home’ in 100 words Directed by Ken Loach, ‘Cathy Come Home’ is a powerful docudrama dealing with a young family’s descent into homelessness. The story follows a young couple Cathy (Carol White) and Reg (Ray Brooks) who decide to set up home together. Cathy soon falls pregnant with their first child and money soon becomes a problem. Unfortunately Reg has an accident costing him his job. It is this catalyst which causes the family to lose their home. Moving from one place to another they struggle to survive. With tensions rising between the couple, the family is forced to split up, possibly for good.

Pete essays

Pete essays Peter Press Maravich is arguably one of the best basketball players ever to play the game. Born June 22, 1947 in Aliquippa, Pennsylvania where he learned to love basketball from his father, Press Maravich, who spent many hours teaching him the games most important fundamentals. Maravich broke numerous records throughout his career. While in high school he scored 47 points, more than any other player, in the North Carolina High School All-Star Game. He holds nearly every National Collegiate Athletic Association (NCAA) scoring record at Louisiana State University (LSU) and was named a three-time All American in only three years in the NCAA. After a legendary college career at LSU, he played ten great seasons in the National Basketball Association (NBA), earning five trips to the NBA All-Star Game and one league scoring title. After his death, he was named to the NBAs Top 50 Greatest Players of All Time and was inducted to the Hall of Fame. I feel, as a player, for anyone to accom plish so much in such a short period of time is remarkable. During Maravichs career the three-point line was not yet a part of professional basketball, so he accomplished all this without the three point line. Maravich is without question one of the greatest offensive basketball players ever to play the game. Maravich got his nickname Pistol Pete from his father. Once referring to his style of shooting during his childhood and as a high school player, Pistol quickly developed into an offensive machine with great shooting, passing, and dribbling skills. He was said to be an offensive genius. According to Mike Flynn former rival of Pistols who played for the University of Kentucky and the Indiana Pacers, Pistol was one of the greatest offensive players Ive ever seen. I wouldnt say he was a pure shooter, as much as I would say he was a great scorer. I loved playing again...

The R in Colonel

The R in Colonel The R in Colonel The R in Colonel By Maeve Maddox A reader comments, I’ve often wondered where the â€Å"r† sound came from in colonel. I’m certain, in the original French, both Ls were pronounced as Ls–what happened? Colonel is the spelling in modern French, but when the word entered English in the 16th century, the French were spelling it coronel or coronnel. The first â€Å"l† had become an â€Å"r† sound by way of dissimilation. dissimilation:   a. Philology. The differentiation of two similar or identical sounds occurring near each other in a word, by change of one of them. An example is Latin peregrinus, which became pelegrino in Italian. Dissimilation is also at work in the way many speakers pronounce February as FEB-yoo-ER-ee. (A pronunciation, by the way, that Charles Elster finds â€Å"beastly.†) Colonel derives from Latin columella, â€Å"a little column.† At some point, the first â€Å"l† became an â€Å"r,† and the word became established in French as coronel. The coronel was the officer who led the â€Å"little column† of troops at the head of a regiment. By the end of the 16th century, the more etymologically correct spelling colonnel displaced coronel in French literary use. The spelling colonel appeared in English about 1580. For a time, both spellings existed side by side in English; the coronel spelling prevailed in writing until 1630, but by 1650, colonel had pushed out coronel. The pronunciation of colonel also went through changes. In the 17th century, colonel was trisyllabic in English, as it still is in French. By 1669, it began to be pronounced with two syllables, â€Å"col’nel.† Apparently many speakers were also pronouncing it as â€Å"ker’nel,† because that is the pronunciation that has survived. Want to improve your English in five minutes a day? Get a subscription and start receiving our writing tips and exercises daily! Keep learning! Browse the Spelling category, check our popular posts, or choose a related post below:16 Substitutes for â€Å"Because† or â€Å"Because Of†Round vs. AroundWord Count and Book Length

Heakthcare strategies Decision-making Tools Essay - 1

Heakthcare strategies Decision-making Tools - Essay Example In which case, the early phase requires creating a small but powerful team to guide the initiative. This is the ideal situation regardless of organization type (Kotter, 2007). Having senior-level management form the core of the group will create the needed sense of urgency. Kotter (2007), however, argued that even in these early days of implementing the strategic plan the guiding team needs to include members who are not part of the senior-level of management. These other members are particularly important for two reasons: to communicate the vision and message of change to their peers and to communicate the challenges and concerns faced by their peers with regards to implementing the strategic plan to senior management. The above approach will not be effective especially at the later stages of implementation when the need to communicate the new vision and strategy becomes mandatory. Ultimately, the strategic plan cannot be implemented without the participation of most of the employees in the organization. According to Kotter (2007) transformation is impossible unless hundreds or thousands of people are willing to help, often to the point of making short-term sacrifices. It is obvious that implementing any new vision will have some effect on employees’ normal activities. This means that employees need to be convinced to believe that useful change is possible with implementation of that strategic plan. Without credible communication, the hearts and minds of the staff will not be captured. This will be counterintuitive to the organization’s plan because when employees are neither fully convinced of senior management’s plan nor are the involved in it, they resist the change Moreover communication is achieved through both action and deeds. Keeping employees in the dark lowers the trust and confidence they have towards senior management. To ensure the successful implementation of this assisted living facility’s strategic